Filed under: Uncategorized | Tags: 808'S & Heartbreak, Autotune, Hip-Hop, Kanye, Kanye West, West
When Kanye West recently proclaimed himself “the voice of our generation”, more than a few eyebrows were raised, and even more scoffed at what was surely just another attempt to inflate his already over-sized ego. With Kanye you just never know, and this outburst will only spur on his haters to label him as a controversy chasing media whore, but for once, he may actually have a point.
After dropping out of Chicago State University to focus on a career in music, he rose to fame after his production was featured prominantly on Jay-Z’s critically acclaimed album The Blueprint, which eventually led to a record deal with Roc-A-Fella.
Despite gaining recognition as a producer within the Hip-Hop community, it wasn’t until West’s debut album, The College Dropout, that he came into the public spotlight, with massive hit singles such as ‘Through The Wire’ and ‘Jesus Walks’.
With a foundation to build on, West began his climb to the top, dispelling the tricky second album rumours with the international smash ‘Late Registration’. Over 24 tracks he expanded his sound and showed off an array of guest stars that sent him into the A-list.
Never being one to rest on his laurels, West released Graduation in late 2007, a celebration of himself and all he had achieved, cementing himself as one of the world’s best recording artists, while revealing an ability to edit himself, releasing a 13 solid songs, cutting out skits and interludes that had cluttered previous releases.
Following the release of Graduation, West began to focus on the performance side of his music, constructing the critically acclaimed Glow In The Dark Tour.
However, in late 2007, West was brought crashing down to Earth when his Mother, his biggest supporter and inspiration, died due to complications following surgery. He decided to continue with his tour, an experience he later described as ”like losing an arm and a leg and trying to walk through that”. It was this experience, coupled with his break-up with his fiancee, that informed new album 808’s & Heartbreak.
A collection of stark, robotic arrangements, with 808 beats and flourishes of strings and no rapping, featuring West singing with the aid of Auto-tune, 808’s has stirred up quite a bit of controversy. Many fans have been alienated by the fact that this is nothing like the hip-hop that made him a superstar.
Yet there can be little doubt that, no-one in recent memory, if at all, has ever had the balls to experiment so wildly with a winning formula, and for that West must be commended. While his so called contemporaries such as Timbaland stick rigidly to the same recycled tune again and again, Kanye is a star in his own right, offering another side of himself, previously unheard, to the listener.
This album is a trip into the darkest corners of West’s soul, revealing the pain that drives him, and has led to a reinvention of Kanye West as an artist.
Whether or not the general public is ready to accept it or not is another matter, but Kanye West may well be the voice of our generation.
Download: Robocop
Filed under: Eddie Vedder, Pearl Jam | Tags: Bootleg, Eddie Vedder, Foo Fighters, Mike McCready, Pearl Jam, San Diego, The Flaming Lips, The Who
Feeling that Midweek lull? The you’re halfway through the working week, but the weekend is still just outta reach.. Fear not, here is something to put a smile on your face, and to follow up on the article which opened this blog on Eddie Vedder’s solo tour, enjoy this bootleg from the final show on his west coast jaunt.
The second of 2 nights in San Diego, the show features an epic setlist, packed with rarities (a performance of Believe You Me from his pre-PJ band, Bad Radio) and singalongs (Let My Love Open The Door).
Meanwhile, in other Pearl Jam related news, Mike McCready told Billboard the band plans to release bootlegs of each of their upcoming tour stops, but the group “have yet to decide what form they will take”.
Also, PJ will perform with Foo Fighters and The Flaming Lips at a taping of VH1 Rock Honours, which will honour The Who.
Sounds like its gonna be an exciting couple of months!
Filed under: Blues, John Mayer | Tags: B.B. King, Blues, Buddy Guy, Continuum, Danny Clinch, Eric Clapton, Herbie Hancock, Jimi Hendrix, John Mayer, John Mayer Trio, No Such Thing, Pino Palladino, Room For Squares, Slow Dancing In A Burning Room, Steve Jordan, Stevie Ray Vaughn, Waiting On The World To Change, Where The Light Is, Wonderland
When John Mayer made his breakthrough in 2002 with the release of Room For Squares, his acoustic-pop masterpiece spawned hit after hit (No Such Thing, Why Georgia & Your Body Is A Wonderland) that propelled him into the celebrity stratosphere and made him a heart-throb for the pre-teen masses.
When Mayer decided he was sick of being looked down on, his peers seeing him as nothing more than a popstar, he began to branch out into other genres, and a transformation began.
Collaborations with Kanye West and Common hinted at a move into a more hip-hop influenced sound, and this seemed all the more likely when Mayer was endorsed by rap legends such as Jay-Z and Nelly, but he instead slipped into a different skin, and in the summer of 2005, he began jamming with various blues legends, including Buddy Guy, B.B. King, Eric Clapton, and toured with pianist Herbie Hancock.
Inspired by his new-found love for the blues, Mayer formed the John Mayer Trio with bassist Pino Palladino and drummer Steve Jordan, and they began a North American tour, including a stint opening for The Rolling Stones. Such were the rave reviews that greeted them wherever they went, the Trio released a live album, Try! that showcased their mix of blues and rock, featuring strung out jams and wild soloing, and built a new persona for Mayer: The Guitar God.
With the release of 2006’s Continuum, Mayer did not dissapoint his new fans, with a mix of his old pop sensibilities with bluesy jams, showcased perfectly on lead-off single Waiting On The World To Change, as well as slow-jam Gravity & funked up Vultures, which both featured on Try! Mayer also played up to his recently accquired status as a leader of a new generation of leading guitarists, including a cover of Jimi Hendrix’ Bold As Love.
Slow Dancing In A Burning Room
Several glowing reviews and a Rolling Stone cover later, and the tide is slowly beginning to turn in favour of the new Mayer, but some still hold Wonderland over him, and bemoan his celebrity status – He has dated several A-listers, including Jessica Simpson (a cardinal sin in the eyes of some), blogs frequently, and is often seen to pursue publicity (last week he released a short comedy video in which he parodied himself as an egotistical rockstar, last month he performed a short solo set on a cruise ship dressed in a Borat-esque thong).
But if you are prepared to look beyond all the bullshit, and leave the past in the past, the growth of John Mayer as a musician is something that cannot be denied, and his live performances only hint at progression of his new-found status as a Blues Craftsman.
Pre-Order: Where The Light Is, A CD/DVD release of his benefit show at LA’s Nokia Theater last December, which included a solo acoustic set, a Trio performance, and a closing set with his full Continuum touring band, directed by the excellent Danny Clinch, who in the last year has brought us the beautifully shot Skin & Bones by the Foo Fighters and Pearl Jam’s Immagine In Cornice.
Purchase: John Mayer – Continuum
Catch Mayer Live: Tour Dates
Photo Credit: Danny Clinch
Feedback: What did you think of the article? Did you agree with what was said, or do you take a different view? What are your impressions of John Mayer? Leave a comment and share your views…
Filed under: Black Keys | Tags: Attack & Release, Black Keys, Captain Beefheart, Free Download, I'm Glad, Magic Potion
What a great way to start the week this is. Having been working hard all weekend, I woke up this morning to find (through Heather at the excellent Fuelfriends) that The Black Keys are offering up a free download on their Myspace.
Hot on the trail of last month’s Attack & Release, the Danger Mouse produced album that is garnering no end of critical acclaim, the Keys decided that as they had nothing better to do last Thursday they would record a cover of Captain Beefheart’s I’m Glad.
This dusty cover suits the Keys’ fuzzed out southern rock style perfectly, it could easily have fit anywhere on the last album, or 2006’s Magic Potion.
Go check it out, you won’t regret it, I promise!
Purchase: The Black Keys - Attack And Release here
Photo Credit: James Carney
Feedback: What did you think of the article? Did you agree with what was said, or do you take a different view? Does this make you want to listen to Attack & Release? Leave a comment and share your views…
Filed under: Pearl Jam | Tags: Avocado, Boom Gaspar, Brendan O' Brien, Eddie Vedder, Jeff Ament, Madison Square Garden, Matt Cameron, Mike McCready, New Album, Pearl Jam, Stone Gossard, Yield
In a recent interview with Rolling Stone, Pearl Jam guitarist Mike McCready revealed the band has reunited with longtime producer Brendan O’ Brien for the first time since 1998’s Yield, to begin recording tracks for the band’s 9th studio album.
“It’s really in its infant stages right now,” McCready tells Rolling Stone. “We have about five ideas that have been worked on.”
The band have yet to decide upon a direction for the first release since 2006’s Pearl Jam, known to fans as Avocado. “Brendan is another set of ears that we respect, and he’s going to give us a different way to go but I don’t know what that is yet.”
With one session already wrapped up, McCready will now focus on his Crohn’s Disease fundraiser in Seattle tonight, before the band reconvene to begin rehersals for their June East Coast tour, which includes two shows at Madison Square Garden, for the first time since the 2003 Riot Act tour, a show that spawned the DVD release Live At The Garden.
Upon completion of the tour, the band will get back together with O’ Brien and auxillary member Kenneth ‘Boom’ Gaspar to continue laying down demos.
Guitarist Stone Gossard has previously hinted towards a Radiohead-style release, saying he would have no problem following their lead if the experimental pay-what-you-want giveaway was a success.
Filed under: Death Cab For Cutie | Tags: Ben Gibbard, Chris Walla, Coachella, Death Cab For Cutie, Free Fallin, I Will Posess Your Heart, Narrow Stairs, Tom Petty
Here’s something to kick start your weekend in style!
Incase you didn’t know, it’s just over a week until the release of Narrow Stairs, the new album from Death Cab for Cutie, and the band have already hit the road in order to promote the release.
The latest stop on the tour was at last weekend’s Coachella festival, where the band previewed a couple of new tracks, as well as hits including Title and Registration and Crooked Teeth.
The band has already taken the brave gamble of releasing the 8-minute I Will Posess Your Heart as the lead single, and, while a few fans have been disgruntled, most reviews have been positive, and the track has been receiving solid radio play since its release.
The song begins with a slow, moody, bass driven funk groove, with short splashes of guitar and piano, that over the course of the first 5 minutes slowly evolves into more familiar Death Cab territory, all lush harmonies and broken indie hearts.
As if this more adventurous direction wasn’t enough to excite fans, the news that the album has been awarded a prestigous 4-star review by Rolling Stone, should bode well for the rest of Narrow Stairs.
Live, the band has started to have some fun, and you can just imagine a being in the middle of the desert, on a warm Summer’s evening when the opening bars of Tom Petty’s Free Fallin hit, as they did last weekend, a precursor for what is to come on the upcoming US/European Summer Tour.
See The Band On Tour:
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Providence Piers | Providence, Rhode Island | ||
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WFNX Show – Bank of America Pavilion | Boston, Massachusetts | ||
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Les Schwab Amphitheater | Bend, Oregon | ||
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Sasquatch Music Festival @ The Gorge | Quincy, Washington | ||
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Thanksgiving Point | Lehi, Utah | ||
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Red Rocks Amphitheatre | Morrison, Colorado | ||
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City Market | Kansas City, Missouri | ||
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Ninth Street Summerfest | Columbia, Missouri | ||
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Orpheum Theatre | Minneapolis, Minnesota | ||
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Millenium Park Pritzker Pavilion | Chicago, Illinois | ||
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Fox Theatre | Detroit, Michigan | ||
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Jacques Cartier Pier | Montreal, Quebec | ||
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Toronto Olympic Island | Toronto, Ontario | ||
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Merriweather Post Pavilion | Columbia, Maryland | ||
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McCarren Park Pool | Brooklyn, New York | ||
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Mann Center for Performing Arts | Philadelphia, Pennsylvania | ||
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Plain Dealer Pavilion | Cleveland, Ohio | ||
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The Lawn at White River State | Indianapolis, Indiana | ||
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Bonnaroo | Manchester, Tennessee | ||
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Nokia Theatre | Grand Prairie, Texas | ||
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Mesa Amphitheatre | Mesa, Arizona | ||
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SDSU Open Air Theatre | San Diego, California | ||
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Greek Theatre Berkeley | Berkeley, California | ||
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Nokia Theatre | Los Angeles, California | ||
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Santa Barbara Bowl | Santa Barbara, California |
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Birmingham Academy | Birmingham | ||
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Manchester Apollo | Manchester | ||
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Brixton Academy | Brixton, London |
Pre-Order: Death Cab For Cutie – Narrow Stairs here
Photo Credit: Death Cab For Cutie Myspace, Heather Browne
Feedback: What did you think of the article? Did you agree with what was said, or do you take a different view? Does this make you want to listen to Narrow Stairs, or go see the band on their upcoming tour? Leave a comment and share your views…
Filed under: Wilco | Tags: Impossible Germany, Jeff Tweedy, Nels Cline, Singer-Songwriter, Sky Blue Sky, Walken, Wilco
So, if you hadn’t noticed, this Blog is named after my favourite song of the moment, Walken, from Wilco’s 2007 offering, Sky Blue Sky.
I’ve obviously been living under a rock for the last 10 years of my life, because until the tail end of last year, i’d never even heard of Wilco, despite the fact that over a lengthy career they have crafted several fine albums filled with golden nuggets of musical goodness.
Having read several reviews of Sky Blue Sky, all impressive, and finding the album reaching the pinnacle of many album of the year lists, i promptly went out and picked up a copy, only to completely forget its existance and leave it gathering dust under a pile of vinyl.
However, last week, when carrying out what i’m not sure can legitimately be titled Spring cleaning, seeing as we are now into May, (and more importantly, following Coachella, festival season has kicked off), i came across the album once again, and decided to give it a spin.
Boy was I in for a treat, as the album is truely a gem for the ages, from the simple opening bars of Either Way, where Jeff Tweedy sings ”Maybe the sun will shine today, the clouds will blow away” in an almost zenlike state, setting the tone for an almost 70’s-esque chillout, filled with simple love songs and melancholy jingles.
Thats not to say the band doesn’t pack a solid punch when needed, Impossible Germany being a prime example, starting off with a simple riff and melody, before exploding into a 3-pronged guitar attack, like a strung out Crazy Horse. Nels Cline truely shines with some wonderful work, a flourish of slide guitar here, a short freakout there, keeping the listener totally engrossed in the experience.
This analogy also applies to songs such as You Are My Face, Shake It Off & Walken, where mid-song the band heads off at right angles into jam-band territory (don’t worry, its the good kind), rewarding the listener with new discoveries with each spin.
Tweedy’s lyrics are exactly what you’d expect from a man i really should have mentioned in my Eddie Vedder piece about singer-songwriters, while his deep voice has an almost hypnotic effect, drawing you in, leaving you wanting more.
I have found that this is a perfect record to put on when i come home from work (in a busy city bar), kick back, put on the headphones, crack open a cold beer, enjoy the sunrise from my balcony, and take stock of the day just passed and the day about to begin.
Purchase: Wilco – Sky Blue Sky here
Photo Credit: Wilco Official Myspace Page, Me.
Feedback: What did you think of the article? Did you agree with what was said, or do you take a different view? Does this make you want to listen to Sky Blue Sky? My personal Wilco journey has just taken me to purchase Yankee Hotel Foxtrot – where should I go next? Leave a comment and share your views…
Filed under: Pearl Jam | Tags: Eddie Vedder, Pearl Jam, Singer-Songwriter, Solo Tour
Or, Why Eddie Vedder Is Fast Becoming One Of The Great American Singer-Songwriters
This was the philosophy adopted by Eddie Vedder as he recently travelled down the west coast on his first ever solo tour, for 15 stripped down appearances in tiny sold-out venues.
Armed with only a few guitars, ukeleles, a mondolin and a corona case-come-kick drum, Vedder showcased material from his critically acclaimed soundtrack to Into The Wild, as well as deep cuts from the Pearl Jam catalogue and a host of covers from singer-songwriters that acted as inspiration for the trek, including Dylan, Springsteen, Cat Stevens and more.
If You Want To Sing Out, Sing Out
Each song was performed admirably, Vedder’s guitar playing sounding more accomplished with each passing year, and the presence of Stone Gossard, Jeff Ament, Mike McCready and Matt Cameron was not missed on the stripped down versions of PJ hits such as Porch and I Am Mine.
While some fans were dissapointed not to hear certain songs, Vedder made sure to stick to tunes that fit the environment – When one fan requested Pearl Jam b-side Dirty Frank at a show – a funky RHCP-esqe workout performed only 3 times in the bands’ near 20 year history, he quipped – “Our band doesn’t even play that, and I’m sittin’ here with a fuckin’ Mandolin!”
Audience interaction was plentiful, with a number of stories relating to the cities he was playing in, as well as funny anicdotes, as opposed to the political speeches that often adorn PJ sets, added to the intimacy of the shows.
There was also plenty of time for experimentation along the way, with Vedder using loops and tapes to recreate Arc, the acapella tribute to the nine fans who lost their lives at a 2000 show in Roskilde, Denmark, and the Indio cover Hard Sun, where he was joined each night by openers EJ & Liam Finn, all dressed in long white lab overcoats, as if to emphasise the fact that this was no ordinary show.
And then there were the special guests – as the tour moved down the coast from Seattle to San Diego, Ed was joined onstage by Jerry Hannah (the writer of Society, another Into The Wild cover), bandmate Mike Mcready (for Hendrix-esque freakouts on All Along The Watchtower and regular PJ closer Yellow Ledbetter), Sean Penn (to read a poem for his wife), surfing buddy Ben Harper (to duet on anti-war anthem No More), former PJ drummer Jack Irons (ironically for a cover of Last Kiss, made famous by Pearl Jam just after they recorded a version of it with then new drummer Matt Cameron) and Emile Hirsch (the actor who brought the songs to life in ITW) to name a few.
And of course, no Eddie Vedder tour would be complete without the odd rarity dropped in here and there, to send internet fans into spasms of shock and joy; In San Diego, Vedder sang an original song last performed in 1989 with his old band Bad Radio, unheard in nearly 20 years, followed the next night by a cover of an early Who song, Let My Love Open The Door, a much loved gem last performed by Pearl Jam in the summer of 1995.
All of this added up to a series of unmissable shows showcasing Vedder’s range of musical talents, that indicate there may yet be a future for him as a solo artist, although few would wish to see him quit his day job just yet.
Download: Eddie Vedder @ Zellerbach Theatre, Berkeley, CA Part One / Part Two
Photo Credit: Carlos Avila Gonzalez
Feedback: What did you think of the article? Did you agree with what was said, or do you take a different view? If you were one of the lucky few who were able to attend a show on the tour, what were your impressions of the gigs? Leave a comment and share your views…
This is me, handsome devil that i am, and this is my new music blog, Walken!
Many of you know me through the PJ community as BigWaveRider, I ran the ArmyReserve blogspot site, but i ran out of the time and energy needed to maintain it, and had little passion left for it after about two years of blogging!
Here I am going to start anew, nice and fresh, at wordpress none the less (wow, that was some wickedcool rhyming) and chit chat about all kinds of great music, instead of limiting myself to just one band. I’m gonna cover all sorts of genres and styles, from the most obscure musicians i love, to the most mainstream acts on the planet, to the downright shameful secret pleasures i hold dear!
As always, get in touch and chit chat about whatever, i love to hear from you all!
Moorai
PS: A quick thank you to Heather for maintaining the Fuelfriends blog for 2+ years, your writing has been a real inspiration in starting blogging again!
